The Picturesque : Architecture, Disgust and Other Irregularities.

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In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque - when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor - in the light of its reception and effects in modern culture.

Detaylı Bibliyografya
Yazar: Macarthur, John
Materyal Türü: e-Kitap
Dil:İngilizce
Baskı/Yayın Bilgisi: Oxford : Taylor & Francis Group, 2006.
Edisyon:1st ed.
Seri Bilgileri:The Classical Tradition in Architecture Series
Konular:
Aesthetics, Modern.
Electronic books.
Online Erişim:Full-text access
İçindekiler:
  • Intro
  • The Picturesque Architecture, disgust and other irregularities
  • Copyright
  • Contents
  • List of figures and credits
  • Preface and acknowledgements
  • 1 Introduction
  • The genesis of the picturesque
  • 1795
  • Price, Knight and Repton
  • The nineteenth century
  • The picturesque in modernism
  • The reception of the picturesque
  • 2 Pictures
  • Painting and pictures
  • The end of fresco
  • Gilpin, the sketch and composition at large
  • Price, Reynolds and genre
  • Breadth and connection
  • Repton and the limits of the picture
  • Architecture and pictures
  • Coda: Le Corbusier and Herzog and de Meuron, or, the end of the modern picturesque
  • 3 Disgust
  • Feeling and ideation
  • A dirty fellow with a dirty shovel': rhyparography and the value of disgust in art
  • Disinterestedness
  • Disinterestedness II: disgust in the republic of taste
  • A picturesque butcher's shop
  • Meat in Repton
  • The Carcase of an Ox
  • Sir Uvedale Price's theory of disgust
  • Picturesqueness and objecthood
  • The heartlessness of the picturesque: John Ruskin
  • From savageness to Brutalism and 'The Revenge of the Picturesque'
  • Everyday
  • 4 Irregularity
  • The architectural plan and a sketch for its history
  • The Truth about Cottages
  • Cottages - neat and neglected
  • Irregularity in theory and practice
  • Cottage architecture and irregularity as technique
  • Familiarity
  • Plan-form and style
  • Picturesque architecture and form
  • Triangularity
  • Le Corbusier's picturesque
  • Picturesque minimalism?
  • 5 Appropriation
  • Repton's theory of appropriation
  • From landscape and prospect to landscape and power
  • Ivor de Wolfe's picturesque, or, who and what was Townscape?
  • The politics of viewpoint from Civilia to Collage City
  • Horizontality and modern art
  • The franchise of architecture, or looking down with the picturesque.
  • Postscript: sharawaggi now
  • 6 Movement
  • Picturesque and Baroque
  • W olfflin, malerisch and the picturesque movement-effect
  • Movement, space and modernity
  • Imitating movement
  • Benjamin and the non-sensuous imitation of movement
  • Interruption
  • Architecture and the picturesque
  • Notes
  • Index.

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