The Routledge International Handbook of Creative Cognition.

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This is an authoritative reference work that offers a well-balanced overview of current scholarship across the full breadth of the rapidly expanding field of creative cognition. It contains 43 chapters written by world-leading researchers, covering foundational issues and concepts as well as state-o...

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Bibliographic Details
Main Author: Ball, Linden J.
Other Authors: Vall ee-Tourangeau, ed eric
Format: e-Book
Language:English
Published: Oxford : Taylor & Francis Group, 2023.
Edition:1st ed.
Series:Routledge International Handbooks Series
Subjects:
Creative ability.
Cognition.
Electronic books.
Online Access:Full-text access
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Table of Contents:
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Dedication
  • Table of Contents
  • List of Contributors
  • Preface
  • Part I: Reflections on the Fundamental Contents and Mechanisms of Creative Cognition
  • 1 Divergent Thinking as Creative Cognition
  • 2 Measuring Creativity with the Consensual Assessment Technique (CAT)
  • 3 Constraints and Creativity: Classifying, Balancing, and Managing Constraints
  • 4 The Role of Serendipity in Creative Cognition
  • 5 The Two Faces of Curiosity in Creative Cognition: Curiosity1, Curiosity2 (and Their Interaction)
  • 6 Thinking Wide and Narrow: A 'Cultural Creative Cognition' Approach to Possibility Thinking
  • 7 Analogy and the Transfer of Creative Insights
  • 8 Creative Cognition: From Ideation to Innovation
  • 9 Insight in the Kinenoetic Field
  • Part II: Reflections on the Nature of Creative Cognition as Revealed Through Traditional Methodologies
  • 10 Idea Generation and Associative Memory
  • 11 Creatively Searching Through Semantic Memory Structure: A Short Integrative Review
  • 12 Mental Imagery and Creative Cognition
  • 13 Incubation
  • 14 Of Night and Light and the Half-Light: The Role of Multidimensions of Emotion and Tolerance of Uncertainty in Creative Flow
  • 15 Problem-Solving, Collaboration, and Creativity
  • 16 Metaphoric Creativity as Embodied Performance in Social Interaction
  • 17 Analyzing Changing Patterns of External Reference Use From Informal Lab Group Presentations to Formal Colloquia
  • 18 Measuring Judgment and Decision-Making in Developmental Samples: Assessment of the Generation of Cognitively Sophisticated Responses and Implications for the Study of Creative Cognition
  • 19 The Phenomenology of Insight: The Aha! Experience
  • 20 Reconcilable Differences: Working Memory Capacity Both Supports and Hinders Insight.
  • 21 Comparing Theoretical and Computational Models of Insight: Investigating Cognitive and Phenomenological Perspectives
  • 22 Collaborative Meta-Reasoning in Creative Contexts: Advancing an Understanding of Collaborative Monitoring and Control in Creative Teams
  • Part III: Reflections on the Nature of Creative Cognition as Revealed Through Cognitive Neuroscience Approaches
  • 23 An Archaeological Perspective on Creative Cognition
  • 24 The Role of Semantic Versus Episodic Memory in Creative Cognition
  • 25 Network Neuroscience of Domain-General and Domain-Specific Creativity
  • 26 A Closer Look at Transitions Between the Generative and Evaluative Phases of Creative Thought
  • 27 Markers of Insight
  • 28 A Cognitive Neuroscience Perspective on Insight as a Memory Process: Searching for the Solution
  • 29 A Cognitive Neuroscience Perspective on Insight as a Memory Process: Encoding the Solution
  • Part IV: Reflections on Creative Cognition From Pedagogical, Organisational, Archaeological and Post-Phenomenological Perspectives
  • 30 Creativity in Education
  • 31 Creative Learning: A Pedagogical Perspective
  • 32 Tool Use and Creativity
  • 33 Art Through Material Engagement...and Vice Versa
  • 34 Creativity as a Discursive Construct
  • 35 Collaborative Creativity: Information-Driven Coordination Dynamics and Prediction in Movement and Musical Improvisation
  • 36 Common Creativity
  • Part V: Reflections on Creative Cognition in Domains Involving Creativity and Innovation
  • 37 Team Cognition and Team Creativity
  • 38 Creative Cognition in Engineering and Technology
  • 39 Creative Cognition and Entrepreneurship
  • 40 Creative Cognition in Advertising
  • 41 The Creative Generation and Appreciation of Artistic Artifacts in the Visual Domain
  • 42 Individual Innovation and Creativity: An Interdisciplinary Mapping of Creative Cognition.
  • Part VI: Reflections on the Paradoxical Misalignment Between Findings that Derive From In Vivo Versus In Vitro Research on Creative Cognition
  • 43 A Quandary in the Study of Creativity: Conflicting Findings From Case Studies Versus the Laboratory
  • Index.

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