Search Results - The Man in the Black Suit~
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Oppression and resistance : structure, agency, transformation /
Published 2017Full-text access
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Edmund W. Gordon producing knowledge, pursuing understanding /
Published 2002Full-text access
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Conservation of Modern Oil Paintings
Published 2019Table of Contents: “…Challenges in research: Connecting scientific analysis with conservation practice -- Evaluating cleaning systems for use on water sensitive modern oil paints: a comparative study -- Paint Technology -- Pigment Surface Treatments: 20th and 21st century industrial techniques and strategies for their detection -- Meet the future: the creation of new pigments -- Zinc oxide in oil-based house paint: Insights from a paint chemist's notebook dated 1949 -- A Glimpse into the House and Decorative Paint Market in Norway During World War I (1914-1918) -- Approaches to the identification of Royal Talens' ETA (emulsion) paint in objects of art -- Synthetic organic pigments in Royal Talens oil paint 1920-1950 - The case of vermillion imit -- Case studies: artists techniques and materials; degradation; ethical considerations; treatment options -- Ellsworth Kelly: The Studio and Beyond -- A new vocabulary of color: Bocour oil paints and Barnett Newman -- Analysis of Modern Paints and Conservation at the Clyfford Still Museum -- Pigments of Soviet Artists in the 1950s - late 70s -- A View Through the Meander: A Study of Knifer's Oil Paintings from the 1960s -- Preservation of Russian Abstract Art of the Second Part of the 20th Century -- Investigating colour changes in red and blue paints - a preliminary study of art materials and techniques in Edvard Munch's Old Man in Warnemünde (1907) -- Aspects of Lovis Corinth's Painting Technique in his late Work: Working Process and Colour Structure captured in Paint and on Film -- Oil paint straight from the tube: paint-specific deterioration in works by Alexis Mérodack-Jeaneau, 1910-1913 -- Picasso 1917: Failure Mechanisms in the Paint Layers of Four Artworks -- Investigation on the speckles syndrome affecting late 1920s oil paintings by René Magritte -- Diagnosis and conservation process of major curled-up delaminated areas in a black oil painting from 1960 by Pierre Soulages.…”
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