Black metal, trauma, subjectivity and sound : screaming the abyss /

Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss weaves together trauma, black metal performance and disability into a story of both pain and freedom. Drawing on her years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender...

Full description

Bibliographic Details
Main Author: Shadrack, Jasmine Hazel (Author)
Format: e-Book
Language:English
Published: Bingley, U.K. : Emerald Publishing Limited, 2020.
Series:Emerald studies in metal music and culture.
Subjects:
Shadrack, Jasmine Hazel.
Black metal (Music) > Social aspects.
Misogyny.
Disabilities.
Psychic trauma.
Music > Health aspects.
Music, Genres & Styles, Heavy Metal.
Heavy Metal music.
Online Access:Full-text access
View in OPAC
Table of Contents:
  • Prelims
  • Chapter One: Interpretive performance autoethnography
  • Chapter Two: 'Women! stop ruining metal!' mapping extreme metal
  • Chapter Three: Black metal's historical analysis: the story of male metal
  • Chapter Four: The feminine absent
  • Chapter Five: Of wolves and witches
  • Chapter Six: Denigrata as performance
  • Chapter Seven: Conclusion. Liber sum: restorative visibility and the feminine present
  • Epilogue: (Rebecca Lamont-Jiggens)
  • Peroration: dying words as abominable lifeblood
  • Glossary of terms
  • Select bibliography
  • Further reading
  • Index.

Similar Items